I had a lot of fun with a bottom set, boy heavy year 9 group with this. They took to the story well and did OK with their reading assessment. Enjoy and let me know how it goes.

A thoroughly enjoyable unit of work. Built around a work booklet and designed for that awkward half-term at the end of the year where you don’t want to give out new exercise books. The workbook contains a copy of The Norwood Builder, comprehension questions and vocabulary list, as well as a variety of activities that focus (primarily) upon creative writing skills with some language and structure based tasks. The lessons are designed to be used with the workbook. NOTE: I may upload a slightly different workbook in the future, but I will leave the original on here.

To make effective use of this scheme I suggest you have a copy of the most recent RSC version of As You Like It (It is quite marvelous…) else a lot of the images I use will make little sense. There are five “lessons” that each last around the two hour mark. Each of the assessments is available, so the whole package is a self-contained unit of work. We had a lot of fun with this unit, and I inter-spaced the learning with periods where the class would act out elements of the play. You don’t necessarily need a copy of the play to teach this unit either.

A lesson take from a collaborative scheme of work. The lesson focuses on the quite excellent Born A Crime by Trevor Noah. The focus is developing an initial understanding of South Africa, then Trevor Noah himself, before focusing in on the context surrounding the story itself. After, the focus switches to analysing the structural choices made in the extract. Additionally, I’ve included a useful little follow up lesson where the focus ins to build a piece of creative writing that follows a specific structural path.

A resource dump for my first attempt at preparing a middle set year 9 class for the rigours of the new GCSE - some success, but the class dynamic was more of a problem than the lesson resources themselves. Some editing may be required, but if you are wondering about how to approach the Section B parts of the exams, this covers a lot of bases.

My introduction unit for A-Level Language and Literature. It assumes that the academic voices of the students needs sharpening somewhat. I source a lot of stuff from various corners of the net and use it in the power points - pay particular attention to the notes element of the power points by the way. I also include a “model essay” the purpose of which is to get the students to move away from their formulaic essay structures that they have used in their GCSEs. Think of this as a starting point that may need a little shaping to suit the needs of your class.

A thematic exploration of Violence within Othello - focusing specifically on Act 4. Also, the power point starts with a little revision of characters and quotations from across the play. I found this a fun lesson.

A summer spent playing word games with my kids lead me to this idea. The idea is that the students are supplied with a grid of letters. They use these letters to build words which cause damage to a cartoon monster. The bigger the word, the more damage done to the monster. I’ve made it more and more difficult as the monsters develop - you have to use certain letter types for example. I plan to give each child one grid per week to complete and have their peers mark it. So you are completely aware, I have left all of the grids blank apart from on a few. You will need to fill these in yourself. Also, I have left the challenge component blank too. This will allow you to create challenges that reflect the specific types of spellings you are looking at - double damage awarded for homophones for example. There’s massive scope for differentiation in here too. I’ve included a whole class version of the spelling levels, as well as a photocopy friendly version too. I have long believed that making school a little more like computer games can be helpful - this is my first attempt at exploring Gamer Theory as I have dubbed it. Watch this space for more. Have to figure out how to do something similar with the other components of SPAG and Reading now… ADDITION: I’ve included some completed versions of the pack to give you an idea of what they could look like. Pay attention to the NOTES section of the power points too. These grids have been designed to be used in tandem with the Escape From Kraznir scheme of work. ADDITION: I’ve also added a new powerpoint that works as a whole class exercise. You don’t need the sheets, just paper and the will to go on…

A useful little tool. It allows you to RAGB(red, amber, green, blue) your students understanding/annotations of the 15 Power and Conflict poems in the AQA anthology. Also, it provides you with a poem by poem breakdown of your classes understanding/quality of annotations so you can see where the gaps are all the clearer. The spreadsheet is set up for a class of up to 40, but the coding can easily be altered to allow for a whole year group.

I used a similar approach with the Paris Anthology section and my class found it to be very useful. The issue they were having focused on incorporating enough AO1 terminology appropriately. This lesson is designed to talk them through an approach to an essay question, starting with the poetic voice, moving on to selecting relevant areas and then placing each level of language as a different starting point before exploring ideas across the language levels. It seemed to work… Hope others find this useful as a starting point.

I designed this for the old AQA specification. Now that the spec is obsolete, some of you might be thinking of turning those stacks and stacks of anthologies into resources for KS3 classes (we certainly are for year 9). As a result, you may find this booklet useful. The booklet is essentially a copy of the entire anthology where on the left hand side of a double page spread you have the text, and on the right hand side you have space for notes. Each story is ended with generic questions and has TWO exam questions for revision purposes. Perfect for planning lessons when you are taking an extended period of time off. Happy reading.

Using a format that proved successful in the KS4 arena, I’ve adapted the thinking to apply to an AQA English Language P1 Q2/P2 Q3 style task that would fit for a higher ability top set KS3 class. The approach is to initially read the extract then to specifically identify concepts that relate to a language focused task, followed be explicitly identifying language based methods and incorporating into a response.

PREMISE: You are going to enter the Castle of Terror to save Santa Clause. He has been kidnapped by the evil Necromancer, Alan. His devilish plan is to suck the Xmas spirit out of Santa, and use it to power his horde of undead. He has banded together with the Orcs and Goblins of the nearby Dark Forest. They will protect him whilst he finishes his experiments. You must hurry. The fate of Christmas rests with you… A mission pack that builds on the free D6 Dungeons and Dragons lesson I created. Print this off (delete the first slide though) for students, or set it up as a power point for the Dungeon Master. All the kids I tried it with loved it. Some of the quotes: "Voldemorts stolen my nose! Give me back my Magic Dagger!" "You are the worst re-animated corpse EVER!" "I use my Staff of Uncertainty to turn you into a Gibbon." A seriously creative lesson. Enjoy. PS - I've also added the initial lesson (Lesson 1) as a starting point for the kids - gets a bit complicated otherwise.

A series of lessons that can easily be expanded out to around 12-13 lessons that do the following: Establish an understanding of the plot over 4 lessons Gets the students to act out the plot via story whooshes (you will need a summary of the play to do this - I use a copy of the play with summaries of each page and get the kids to read certain key parts of the dialogue out loud) Explore language and structure as methods Build on the ability to analyse extracts Develop a contextual understanding Rather pleased with these to be honest. Hopefully you guys will feel the same too. PS - I've chucked in a load more stuff too. Extract Analysis 3 was a lesson where I received "GOOD" for my observation. There is also a Creative Writing Lesson that may prove useful too.

My third lesson. This is designed to be a lesson where I as the teacher give less and the students give more of their own ideas - the group is reluctant to communicate. As a result, it is less "idea heavy" and far more task focused - you'll get a lot of markable material out of this.

MASSIVE success with this scheme. Trouble is, what I can't get on here is the music files I downloaded and threaded into the lessons. If you want to do this, use a site like keepvid.com to download some sinister music - I used the little girls song from 'The Ring' and a series of songs from the original QUAKE video game soundtrack (one is literally just a whisper getting louder and louder). I played these sounds over the top of the creative writing assessment and got a decent response (true, one or two of the kids MAY have nightmares...). Best of luck!

I pulled together a lot of thinking from a lot of different websites and have shaped it into these lessons. Not all of the content is mine.

I teach a very low ability year 7 group and they are missing a large amount of spelling and comprehension knowledge of the simplest words. These work sheets are designed to be printed out back to back, taken home and completed. They will allow you to identify which of your students is able to accurately spell and use these first 100 words. VERY useful for EAL students.